"Through the young eyes of Scout and Jem Finch, Harper Lee explores with rich humor and unswerving honesty the irrationality of adult attitudes toward race and class in the Deep South of the 1930s. The conscience of a town steeped in prejudice, violence and hypocrisy is pricked by the stamina and quiet heroism of one man's struggle for justice--but the weight of history will only tolerate so much." --

Music may soothe the savage breast, but in this fifth collection of witty and wicked crime fiction from the Ladies' Killing Circle, music provides the background for tales of murder and mayhem. Eighteen stories by Canadian women crime writers along with poems from Joy Hewitt Mann take their inspiration from titles as varied as the upbeat "Wake Up Little Suzie" through the romantic "Summertime" and musicals such as "There's No Business Like Show Business"....

In this full-color graphic novel, Jason posits a strange, violent world in which contract killers can be hired to rub out pests, be they dysfunctional relatives, abusive co-workers, loud neighbors, or just annoyances in general-- and as you might imagine, their services are in heavy demand. One such killer is given the unique job of traveling back in time to kill Adolf Hitler in 1939... but things go spectacularly wrong. Hitler overpowers the would-be...

Sarah and Jan interrogate Troels, who divulges private information that leads to a potential breakthrough in the case. New evidence further puts the spotlight on him.

Sarah and Jan pursue a vital new lead but someone unexpected intervenes. Drastic personal changes affect Sarah. Meanwhile, Troels attempts to establish a new alliance.

Sarah and Jan discover a critical link to Nanna's murder and embark on a race-against-time hunt for the killer. Nanna's last message leaves Pernille and Theis with more questions than answers.

Now under scrutiny by both the police and the media, Troels's political career is crumbling. Meanwhile, strange things happen at the town hall with serious consequences.

Sarah and Jan track down the driver of the car but Jan's impatience deters the investigation. Troels realizes that confidential information is being leaked from his office.

Sarah realizes that Nanna's friend Lisa may be hiding something about the night Nanna disappeared. New information turns Sarah and Jan's attention to another lead.

Sarah has been taken off the case, but she's sure of the killer's identity and continues investigating on her own. But how will she succeed without incriminating evidence?