An old Bolivian man nears the end of his life. He has property and status, but not contentment. Believing himself posessed by evil spirits, he opens his heart to reveal his anguish. His personal tragedy brings us close to every man's confrontation with the unknown, old age, and death.

This film demonstrates the time-honored solutions to the problems associated with the Boran's dependence on cattle for living. Direct government intervention and the indirect impact of modernization are forcing the old patterns to change. The film depicts herding practices, movement patterns, watering strategies, and the lifestyle of the herdsmen.

The film concerns the traditional "floating population" who fish Chinese coastal waters from family sized Junks based in Hong Kong in competition with salaried fisherman using large, mechanized boats. The combined effect of education and an increased integration with shore life is putting strains on the old ways.

A Chinese Farm Wife gives us a peek into the life of Mrs. Li, a Taiwanese woman whose husband is a salaried factory worker.

Harambee is a traditional Swahili chant meaning heave-ho or pull together the slogan for a united Kenya. Harambee Day or Independence Day is celebrated in this small town in North Kenya with political speeches and an auction at the native school.

The film focuses on the life of Peter Boru, a sixteen-year-old former herdsboy who has become a boarding school student. Peter's life is juxtaposed to a traditional herdsboy, Dokata. The question, "Education for what?" is posed when both tradition and modern forces common to developing areas make the economic outlook bleak for young people, even if they are able to complete local educational requirements.

The people of the Bolivian highlands blend in thought and practice the traditional magic of the region and the religion of their conquerors. A fatal automobile accident, coincident with the festival of Santiago, provides occasion for unique expressions of both faith and magic in the effort to influence events.

The hopes, fears, and aspirations of adolescence are expressed in the close friendship of two Afghan boys. As their acceptance of the filmmakers leads them to express their feelings more and more openly, the film grows rich in fact and themes of universal concern.

This film is about the life of Hoy Fok, a fourteen-year-old boy, who lives with his family on a fishing junk near a small island in the Hong Kong Territory. Hoy Fok helps his family in fishing and attends the island school.

An Aymara family plants potatoes, prepares and eats a meal, and discusses the religious and astronomical forces that control their destiny. The stark routine of this typical planting day contrasts with thecomplexity of their beliefs.