Sátántangó.
(eVideo)
Contributors
Tarr, Bela, film director.
feLugossy, László, actor.
Vig, Mihály, actor.
Horváth, Putyi, actor.
Arbelos Films (Firm), Distributor
feLugossy, László, actor.
Vig, Mihály, actor.
Horváth, Putyi, actor.
Arbelos Films (Firm), Distributor
Published
[San Francisco, California, USA] : Arbelos Films, 1994., Kanopy Streaming, 2020.
Status
Description
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Format
eVideo
Language
hun
Notes
General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Participants/Performers
László feLugossy, Mihály Vig, Putyi Horváth
Date/Time and Place of Event
Originally produced by Arbelos Films in 1994.
Description
One of the greatest achievements in recent art house cinema and a seminal work of “slow cinema,” SÁTÁNTANGÓ (SATAN'S TANGO) , based on the book by László Krasznahorkai, follows members of a small, defunct agricultural collective living in a post-apocalyptic landscape after the fall of Communism who, on the heels of a large financial windfall, set out to leave their village. As a few of the villagers secretly conspire to take off with all of the earnings for themselves, a mysterious character, long thought dead, returns to the village, altering the course of everyone’s lives forever. Shot in stunning black-and-white by Gábor Medvigy and filled with exquisitely composed and lyrical long takes, Sátántangó unfolds in twelve distinct movements, alternating forwards and backwards in time, echoing the structure of a tango dance. Tarr’s vision, aided by longtime partner and collaborator Ágnes Hranitzky, is enthralling and his portrayal of a rural Hungary beset by boozy dance parties, treachery, and near-perpetual rainfall is both transfixing and uncompromising. Sátántangó has been justly lauded by critics and audiences as a masterpiece and inspired none other than Susan Sontag to proclaim that she would be “glad to see it every year for the rest of [her] life”. Official Selection at the **Berlin International Film Festival** and the **Toronto International Film Festival**.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Tarr, B., feLugossy, L., Vig, M., & Horváth, P. (1994). Sátántangó . Arbelos Films.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Bela, Tarr et al.. 1994. Sátántangó. Arbelos Films.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Bela, Tarr et al.. Sátántangó Arbelos Films, 1994.
MLA Citation, 9th Edition (style guide)Tarr, Bela,, László feLugossy, Mihály Vig, and Putyi Horváth. Sátántangó Arbelos Films, 1994.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
4ad58018-58d3-4509-1aa1-8c33a71b8074-hun
Grouping Information
Grouped Work ID | 4ad58018-58d3-4509-1aa1-8c33a71b8074-hun |
---|---|
Full title | sátántangó |
Author | arbelos films |
Grouping Category | movie |
Last Update | 2024-03-15 10:54:27AM |
Last Indexed | 2024-03-28 00:41:21AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Nov 27, 2023 |
Last Used | Mar 14, 2024 |
Marc Record
First Detected | Apr 28, 2020 12:00:00 AM |
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Last File Modification Time | Mar 15, 2024 11:01:31 AM |
MARC Record
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520 | |a One of the greatest achievements in recent art house cinema and a seminal work of “slow cinema,” SÁTÁNTANGÓ (SATAN'S TANGO) , based on the book by László Krasznahorkai, follows members of a small, defunct agricultural collective living in a post-apocalyptic landscape after the fall of Communism who, on the heels of a large financial windfall, set out to leave their village. As a few of the villagers secretly conspire to take off with all of the earnings for themselves, a mysterious character, long thought dead, returns to the village, altering the course of everyone’s lives forever. Shot in stunning black-and-white by Gábor Medvigy and filled with exquisitely composed and lyrical long takes, Sátántangó unfolds in twelve distinct movements, alternating forwards and backwards in time, echoing the structure of a tango dance. Tarr’s vision, aided by longtime partner and collaborator Ágnes Hranitzky, is enthralling and his portrayal of a rural Hungary beset by boozy dance parties, treachery, and near-perpetual rainfall is both transfixing and uncompromising. Sátántangó has been justly lauded by critics and audiences as a masterpiece and inspired none other than Susan Sontag to proclaim that she would be “glad to see it every year for the rest of [her] life”. Official Selection at the **Berlin International Film Festival** and the **Toronto International Film Festival**. | ||
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